Artist's Gallery Talk @ The Griffin Gallery at Digital Silver Imaging

Je Ne Sais Quoi 

by J. Sybylla Smith

Articulate and humor-filled descriptions of his creative process informed and entertained an eclectic audience at the Griffin Museum of Photography at Digital Silver Imaging's gallery talk last evening.  Photographer and videographer, Jonathan Stark, waxed poetically on the feelings evoked by  France, shooting with film and the “magical faith-based” moments of creating art.

Armed with 3 Nikon cameras, loaded with color and black and white film, Stark approaches his work with an open respect for the dialog between the subject - animate or not - and the shooter. Eagerly seeking resonance with his subject his goal is to “capture the energy.” The most important lens being that of his own emotion, imagination, and aesthetic. His desire to make a photograph overrides any sense of timidity or inclusion in another’s intimacy. Ask him about shooting the Hassidim in Jerusalem preparing for Passover.

A curious documentarian, Stark, exposes himself to the culture and ritual he discovers while traveling. What separates a photograph from a snapshot? In his view it is the willing involvement of the shooter to engage and exercise a disciplined and attentive awareness to one's inner vision. An artist transforms the obvious, moving beyond mere representation. Stark notes black and white photographic images convey emotion and render moments timeless in a way color cannot.

A diehard film fan, he favors the nuance of a silver gelatin print which cannot be mimicked by “spraying” ink on paper. Giclee and silver gelatin are different animals. Just as a diamond traveling across vinyl picks up the peaks and valleys of sound in a manner not replicated by high definition electronic transfer - we sense the difference in output despite the ability of our eyes to register the minute pixilation used in ink jet printing.

Darkroom magic is that inexplicable happening when the image unfolds its  secrets - the culmination of subject, light, exposure, framing, and myriad processes, both human and chemical, that birth a photograph. In Stark’s opinion art reflects relationship.

Stark approached Digital Silver Imaging's output as an experiment. He was both pleased and surprised with the results. "Digital Silver Imaging's printing technology enabled me to take a color transparency and convert it to black and white, which revealed the character that appealed to me, but had not translated in color. The DSI silver gelatin print made the image sing."

You can view all the images from the exhibit here.  Contact Eric Luden at Digital Silver Imaging for information about purchasing any of the prints from this exhibition.

Digital Silver Imaging Impresses the Press

Shutterbug’s Steve Bedell interviewed Eric Luden about the current state of black and white printing and the tools that are available to photographers to obtain quality prints. The interview will run in the February 2011 issue of Shutterbug.

Read a pdf of the interview on your computer or grab a copy of Shutterbug.

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A Warm Reception

Friday's opening of Jonathan Stark's France:Chaleur was a celebration of the warmth found in sweeping views of Paris, the French countryside and the depth of character of it's people. Shot on film during successive trips abroad the fiber silver gelatin prints are as soulful as their subjects. Intimate glimpses of Gallic pride shine from the soft eyes of a daper, elderly gentleman and the crisp attentiveness of a grandly mustached geradement. Stark caught Paris from the seat of a famed carousel, which no longer exists, allowing the vantage point of a bird surveying the quiet elegance of Hausmann's orderly and grand design for the city of light. Caught at night the Eiffel tower is it's quintessential playful self. Stark unobtrusively documents the serious pastime of a game of boule and the care and precision given to measuring the competition. These Black & White images exude a reverence of the ordinary while acknowledging the depth of tradition. Powdered truffles, fluted madeleines and red wine aside, these images transport the viewer to a place where time honored craft and care warm the heart.

 

Exhibition dates:

November 18 - January 14, 2011
Friday, November 19, 2010 opening reception 6 -8
Talk at Digital Silver January 11, 7 PM

Visit Digital Silver Imaging for complete details about the lab and gallery hours, or call 617-489-0035

Tom Ashe from The School of Visual Arts and color management

For the past six years in the Fall and Spring semesters I have been teaching a course I created in Digital Printmaking and Color Management as part of the BFA Photography program at the School of Visual Arts in New York City. The aim of the course is to help the students to be knowledgeable about different printmaking technologies and how to produce the best quality digital prints possible. One of the biggest challenges for my students is creating good quality digital black-and-white prints. That’s why an important part of the Black-and-White Digital Printing Assignment is to have the students make a true silver gelatin digital print. Although, most students come to the class not knowing that this is even an output option, they are even more surprised to find out they can get digital output on the same fiber based silver gelatin photographic materials they have loved in the traditional darkroom. Digital Silver Imaging is one of the few service bureaus in the country and the world that produce fiber based silver gelatin digital prints.  Luckily for us, Eric Luden and his staff have been kind enough to help our students to experience their digital black-and-white images on these silver gelatin materials with their unique aesthetic and technical qualities.  

Tom Ashe is the associate chair of MPS Digital Photography Department, School of Visual Arts in New York.  He is also an excellent photographer & consultant to the photographic industry. Visit his website for more information.


One of Tom's students, Azhar Chougle, had this to say about working with us:


"It has been an absolute pleasure to be able to work with Eric on producing digital silver gelatin prints. Working with labs is always a twisted and convoluted ballet, but in this case the process was surprisingly simple and straightforward. Given Eric's vast experience in the field, he demonstrates a firm understanding of his process and requirements. At the same time, he is incredibly personal and accommodating.  The most important factor is of course the prompt delivery and the print itself. The images produced take on a refreshingly analog quality, a welcome deviance from the manufactured predictability of the inkjet process. The papers (especially the fiber) are thick, heavy and feel exquisitely organic, something that would be expected walking out of a darkroom rather than a digital lab. I would say it is impossible to replicate the aura and feel of a silver gelatin print, which makes this avenue of digital output a very worthwhile exploration."

Rachel Mathews on "Food Cycles" at the DSI Gallery

“You never get a second chance to make a first impression.” I’m not absolutely sure that this is true, but I do know that first impressions can count for a lot.

I was lucky this week to visit an outcropping of the Griffin Photography Museum and enjoy an exhibit of photographs titled “Food Cycles”. The photographer, Francine Zaslow, has a fascinating take on food as art. Her images, which are on display at the very intimate gallery at Digital Silver Imaging in Belmont, Massachusetts, are intriguingly delicious.

You must understand that these are my first impressions of her work. I love these silvery visions, so removed from glossy food magazine and cookbook portrayals of perfect doneness. This isn’t food in the “we eat with the eyes” sense exactly, it is food as art, and being a pragmatist (and foodie, I guess) I asked the folks at the gallery if the subjects of the photographs had in fact been eaten after the shoot.

I have to tell you that I don’t understand how they do what they they do at DSI to turn warm food into cool prints. Their site says “Digital Silver Imaging offers a unique printing process that provides beautiful fiber-based and resin-coated black & white silver gelatin prints directly from digital files.” but I think its some sort of magic. In any event, I loved the exhibit. Her “Belt Fish l” makes me wish I was a Pisces, and her “Silkie Chickens” could be dragon embryos.

Please read Rachel Mathews complete review by visiting her blog.

You can visit the DSI Gallery Mon - Fri from 9 - 5:30, or click on our Facebook on-line gallery if you're far away.

Interesting feedback on Nik HDR software

A few lucky photographers have had their hands on the beta version of the new Nik HDR Efex Pro software that will start shipping this week.  Like us, we're anticipating another great product from the folks at Nik.  They have demonstrated great products and some of the best web tutorials and support.  We believe that when utilized properly, this will be another enhancement to our true black and white silver gelatin printing process.

Here is what one photographer had to say about his experience:

"I have been playing with CS5 HDR becuase I've been very disappointed with my current HDR software. But still I had not been able to get any HDR images that I like better than a straight shot with some localized adjustments using Nik Viveza.  Maybe all user error.  But I could not get good HDR images like they show in the HDR books with Photoshop or Photomatix.  Lots of other people have fantastic results with these I know.  I've failed.

Last week I tried the demo version of the NIK HDR program (I am on their email lists, since I already have some of their products). Wow!  With only watching the 3 minute Nik video, I was making HDR photos that were so much better than the junk I had before."

We are excited to be one of Nik's top resellers in the country.  We work very closely with them and have provided B&W silver gelatin prints for their trade shows. DSI is offering a workshop on HDR on November 3rd from 6-8PM at the Griffin Museum of Photography in Winchester, MA.  Join Victor Ha of Nik Software as he reveals the technology and creative possibilities behind Nik Software’s latest creation, HDR Efex Pro! Victor will explain the techniques of how to properly shoot HDR for the best results, demonstrate the uses of HDR Efex Pro’s revolutionary features, and show how it integrates into Nik Software’s complete workflow solution of photographic products. Registration is required, so please visit the DSI registration page for complete details and information.

Digital Silver Imaging creates true black and white silver gelatin prints directly from digital files.

Check our special software pricing for great deals on Nik Software!

Nik Software Announces Availability for HDR Efex Pro™

Köln, Germany, September 21st, 2010 – From the Nik Software Press Release

Nik Software today announces that its highly anticipated HDR Efex Pro software will be available October 11, 2010. This completely new HDR solution is designed to help professional and amateur photographers quickly and easily achieve the full spectrum of HDR enhancements from the realistic to artistic. The company is showcasing HDR Efex Pro with live demonstrations of the software at Photokina 2010 at booth H09 in hall 4.1.

“Our HDR Efex Pro beta group has over 500 photography industry professionals and HDR enthusiasts and the feedback from this group has been both comprehensive and incredibly positive,” said Michael J. Slater, President and CEO of Nik Software. “We have incorporated many of the recommendations from this group and I am confident that this product will truly advance HDR imaging.”

HDR Efex Pro brings innovative and best-in-class technologies to HDR, including proprietary unrivaled tone mapping, Nik Software’s award-winning U Point® technology, and powerful ghost reduction, all of which have been developed specifically in response to photographers’ requests. HDR Efex Pro overcomes limitations in other software products with a revolutionary all-in-one approach that enables both realistic and artistic effects to be applied within a single tool. Photographers looking to explore the new realm of HDR will find that HDR Efex Pro offers a complete solution that takes HDR to new levels and offers new possibilities to fine-tune and finish HDR images with a simple and intuitive workflow.

Nik Software’s U Point® technology provides, for the first time, precise selective fine-tuning of HDR images without the need for complicated selections or layer masks. Photographers will find that the ability to control adjustments exactly where they want them provides unprecedented power and will further enhance their ability to create amazing HDR images.

Key Features
· Intuitive interface, with easy to understand photographic terminology and the actual processed results always displayed
· U Point powered selective tools for fast, precise enhancements of contrast, shadow, structure and saturation adjustments
·  Multiple proprietary tone mapping algorithms enabling a wide range of HDR styles and capabilities
· Visual presets that produce amazing results in a single-click
· Ability to create the HDR look from a single exposure
· Advanced technology for automatic image alignment and reduction of subject motion artifacts known as “ghosts”
· All-in-one workflow enabling the creation of professional HDR images

Pre-Launch special from Digital Silver Imaging is $139.95 plus receive 50% off your first print order when you purchase the software from DSI.  HDR Efex Pro is Free with either of the Complete Collections. Visit the DSI Nik Software page for our special offer.

Circles of Life: Images by Francine Zaslow

How many people travel across state lines to attend an opening? Apparently, several! Estimates of 100 guests filled the gallery with a tangible buzz over the toned, sepia toned fiber prints of Francine Zaslow's collaboration with chef David Remillard and food stylist Beth Wickwire.

On it's way to a cookbook, the work was influenced by the practice of utilizing the whole animal in foods of other cultures. The decision to print the digital images in black and white turned vegetables, fish and fowl into sculpture; a feast of texture and painterly still-life beauty. Known for her attention to detail and a Zen-quality of suspension - Francine enhanced the "otherworldly" quality of the prints with painted backdrops by Susan Strauss. The eloquent artist statement by Tom Babbitt speaks to the journey beyond food to the cycles of life, art and spirit that the images evoke.

Local photographers including Sylvia Stagg-Giuliano, Nancy Carbonaro, Randy Goodman, Meg Birnbaum, Bruce Peterson and Bob Packert joined Barbe Ennis & Michelle Tetrault of Ennis, Inc and stylist Ann Fitzgerald of Team in admiring their colleague. Guests from Maine, CT, NH and Western Mass made the effort to be part of the celebration. City Planners and Renovation Specialist Bruce Irving, who attended our last architectural show and gallery talk made their way to explore this body of work.

At Digital Silver Imaging, we celebrate the myriad connections the gallery affords us with our community.   Intended as a format to showcase our ability to make true, silver gelatin prints from digital files and exposing the art of photography to unique audiences - we have tapped a creative synergy beyond our expectations. We may ship internationally and form virtual relationships, but we continue to be grateful, honored and amazed by the cycles of relationships within our own photographic network.  We are grateful for our association with the Griffin Museum of Photography and the amazing support from director Paula Tognarelli and Frances Jacubek.

All 13 of the toned silver gelatin fiber prints are in our online gallery.  The images are 18x24, and framed 25x31 for $1200.  The diptych image is 20x30 in a 26x36 and is $1400.  Please contact Eric Luden at Digital Silver Imaging for details.

"Food Cycles" is on display DSI in Belmont through Nov 12th.  Gallery hours are Mon - Fri 9-5:30.  Francine will have a gallery talk on October 14th at 7PM at the DSI gallery in Belmont, MA.

Jon Lester: 5 Pitches by Steve Wilstein

Ever wonder how baseball pitchers make the ball dance up, down, in and out to baffle batters? Boston Red Sox left-handed ace Jon Lester showed photographer and sportswriter Steve Wilstein how it's done with the positioning of his fingers on the five pitches in his arsenal: four-seam and two-seam fastballs, change-up, cutter and curveball. Wilstein photographed Lester in spring training this year using a Nikon D700 and a 105mm micro lens. Working with Christopher and Eric from Digital Silver Imaging, Wilstein created a 4-foot wide composition of five square close-up images, printed in color on HARMAN inkjet paper and framed by DSI . A framed print sold recently at Panopticon Gallery, which also is showing Wilstein's other color images of the Red Sox and fans in spring training, as well as black-and-white images of Muhammad Ali that Wilstein made in 1978.

Wilstein, a longtime sports columnist for the Associated Press, can be seen discussing baseball's steroids era in Ken Burns' and Lynn Novick's two-part documentary, "The Tenth Inning", on Sept. 28-29, on WGBH public television.

Contact Jason Landry at Panopticon Gallery to purchase this image.

 Andy Ryan's gallery talk drew an SRO crowd of Architects, MIT faculty and Photographers eager to learn the inside story on documenting the landmark projects construction over seven years. Ryan accompanied his remarks with a slide presentation of images documenting twenty years of work in China. He discussed the major impact digital photography has had on his workflow, his ability to create a vast archives of "virtual" work and the challenges related to usage rights.

He related his use of equipment and the capturing of a matrix of images to control for distortion while covering the immense expanse of these huge structures.  This attention to detail and honoring the needs of his clients is tantamount to the process. Architect Steven Holl remains particularly pleased by Ryan maintaining his favored cubed windows, patterns and shapes from becoming rectangular. Ryan shoots with a Hasselblad digital camera and has been working with their GPS metadata systems as part of his work. These massive files are stitched together in post production creating finely detailed and sharp images. Ryan chose to work with Digital Silver Imaging to produce rich toned black & white silver gelatin fiber prints using a true photographic process to maintain the integrity of his work.

Discovering, initiating and building creative relationships is at the heart of Ryan's work. He actively courts several clients simultaneously to make the most of the time spent abroad. Dealing with the incredibly crowded, dusty, busy city is a constant challenge. The winds that create the below freezing winter temperatures also make for a crystal blue sky.

You can view the complete portfolio from our recent exhibition, Architecture of the New China: Landmark Projects of Beijing. 

All of the images from this exhibition are for sale.  Please contact the gallery for further information.  info@digitalsilverimaging.com