Multigrade Art 300-Ilford launches new silver-based Fine Art paper

I love reading about developments in our industry, both digital and analog.  I have maintained a good relationship with my former employer, HARMAN technology, which is the parent company of Ilford Photo based in the UK.  I knew they were working on developing a new silver based fine art paper that would have the look and feel of Hahnemuhle fine art inkjet papers, but have a true silver gelatin coating.

I have been speaking with Mike Bain, Rod Parsons and others at HARMAN about the launch of the Multigrade Art 300.  Now that HARMAN has a relationship with Hahnemuhle, this has become a reality.  Initially, this paper will be available as an analog (that's "darkroom" for all you digital newbies!) product.  We will be part of a test phase shortly to evaluate this in rolls for digital exposure in our Durst Theta 51 photographic laser enlarger.

This will initially launch in the UK in early April in sheet sizes from 8x10 up to 20x24.  There is no official launch date for North America, but we're their largest market, so I'm sure we'll see it soon!  I know representatives from HARMAN will be at the SPE (Society for Photographic Education) conference in Atlanta and will have samples on display.

Stay tuned for more details.

Read more about Digital Silver Imaging and our services

Fall River Camera Club

Owner Eric Luden made a trip to Fall River last night to present his black & white program to over 30 photographers at the Fall River Camera Club.  What I like most about speaking with photographers at these camera clubs is their passion about photography.  They are doing this for fun, pleasure and education, and are not jaded by the demands of trying to make a living with their hobby.

I give an overview of the changes that have impacted black & white photography as digital methods have evolved since the mid- 90's.  I explain how photographers used an LVT film recorder to produce b&w negatives and then made darkroom prints and then the evolution of inkjet printing.  We discussed the evolution of digital enlargers, like the Lightjet or Durst Lambda and how we utilize the Durst Theta 51 to produce real black & white continuous tone prints.

Photographers are aware that black & white photography is making a comeback.  So many digital tools are available to make this possible, including multiple plugins and other software.  More than a third of the members already own Nik Silver Efex Pro and are eagerly awaiting the launch of Silver Efex Pro 2, which is due out at the end of this month.  This plugin makes working in black & white so much easier and produces the cleanest files.  When you combine this with our silver gelatin printing service, you get the best of both worlds. 

Thanks to Lorraine for inviting me down to the club - you have an excellent organization and I look forward to coming back. Congratulations to Richard who won the raffle for a free 11x14 Fiber print!

Better in Black and White: Digital Silver Imaging

Better in Black and White: Digital Silver Imaging

Collections

Beauty is always in the eye of the beholder. Guests attending last evenings gallery opening of the Griffin Museum of Photography @ Digital Silver Imaging were challenged to view the haunting elegance of anatomical specimens from the Mutter Museum in Philadelpia and the Lazzarro Spallanzani collection in Regio Emilia, Italy. Noted landscape photographer, Neal Rantoul, took a courageous departure by pulling back the curtain on this slice of human experience with grace and candor. Boldly curated by J.Sybylla Smith the 18 images of animal and human studies move beyond voyeuristic curiosity to ephemeral beauty.

A steady stream of seasoned photo educators, staff and board members from Northeastern, Boston's Photographic Resource Center and the Griffin Museum including Glen Ruga, Director of the PRC, George Slade, and Cathy England concurred the work was "Luminous", "beautiful", "striking" and "strong". Represented by Panopticon Gallery, owner, Jason Landry and Neal's colleagues were pleased to see the new work in this intimate venue. A special edition book including extensive images from both collections along with the taxidermy from Cabelas is available for sale. The selenium toned silver gelatin and giclee ink jet prints are available in limited editions.

We are all looking forward to Rantoul's gallery talk on February 3rd. We are eager to hear him take us on the journey prompted by an NPR interview by Terry Gross with Gretchen Warden in 2002 on the Mutter to his international travels to illuminate and record this historic tradition.

You can view the complete collection of images in our online gallery.  Contact Digital Silver Imaging for information to purchase his prints or his book.

Artist's Gallery Talk @ The Griffin Gallery at Digital Silver Imaging

Je Ne Sais Quoi 

by J. Sybylla Smith

Articulate and humor-filled descriptions of his creative process informed and entertained an eclectic audience at the Griffin Museum of Photography at Digital Silver Imaging's gallery talk last evening.  Photographer and videographer, Jonathan Stark, waxed poetically on the feelings evoked by  France, shooting with film and the “magical faith-based” moments of creating art.

Armed with 3 Nikon cameras, loaded with color and black and white film, Stark approaches his work with an open respect for the dialog between the subject - animate or not - and the shooter. Eagerly seeking resonance with his subject his goal is to “capture the energy.” The most important lens being that of his own emotion, imagination, and aesthetic. His desire to make a photograph overrides any sense of timidity or inclusion in another’s intimacy. Ask him about shooting the Hassidim in Jerusalem preparing for Passover.

A curious documentarian, Stark, exposes himself to the culture and ritual he discovers while traveling. What separates a photograph from a snapshot? In his view it is the willing involvement of the shooter to engage and exercise a disciplined and attentive awareness to one's inner vision. An artist transforms the obvious, moving beyond mere representation. Stark notes black and white photographic images convey emotion and render moments timeless in a way color cannot.

A diehard film fan, he favors the nuance of a silver gelatin print which cannot be mimicked by “spraying” ink on paper. Giclee and silver gelatin are different animals. Just as a diamond traveling across vinyl picks up the peaks and valleys of sound in a manner not replicated by high definition electronic transfer - we sense the difference in output despite the ability of our eyes to register the minute pixilation used in ink jet printing.

Darkroom magic is that inexplicable happening when the image unfolds its  secrets - the culmination of subject, light, exposure, framing, and myriad processes, both human and chemical, that birth a photograph. In Stark’s opinion art reflects relationship.

Stark approached Digital Silver Imaging's output as an experiment. He was both pleased and surprised with the results. "Digital Silver Imaging's printing technology enabled me to take a color transparency and convert it to black and white, which revealed the character that appealed to me, but had not translated in color. The DSI silver gelatin print made the image sing."

You can view all the images from the exhibit here.  Contact Eric Luden at Digital Silver Imaging for information about purchasing any of the prints from this exhibition.

Digital Silver Imaging Impresses the Press

Shutterbug’s Steve Bedell interviewed Eric Luden about the current state of black and white printing and the tools that are available to photographers to obtain quality prints. The interview will run in the February 2011 issue of Shutterbug.

Read a pdf of the interview on your computer or grab a copy of Shutterbug.

Stay in touch with us on Facebook for gallery news and information about our lab.

A Warm Reception

Friday's opening of Jonathan Stark's France:Chaleur was a celebration of the warmth found in sweeping views of Paris, the French countryside and the depth of character of it's people. Shot on film during successive trips abroad the fiber silver gelatin prints are as soulful as their subjects. Intimate glimpses of Gallic pride shine from the soft eyes of a daper, elderly gentleman and the crisp attentiveness of a grandly mustached geradement. Stark caught Paris from the seat of a famed carousel, which no longer exists, allowing the vantage point of a bird surveying the quiet elegance of Hausmann's orderly and grand design for the city of light. Caught at night the Eiffel tower is it's quintessential playful self. Stark unobtrusively documents the serious pastime of a game of boule and the care and precision given to measuring the competition. These Black & White images exude a reverence of the ordinary while acknowledging the depth of tradition. Powdered truffles, fluted madeleines and red wine aside, these images transport the viewer to a place where time honored craft and care warm the heart.

 

Exhibition dates:

November 18 - January 14, 2011
Friday, November 19, 2010 opening reception 6 -8
Talk at Digital Silver January 11, 7 PM

Visit Digital Silver Imaging for complete details about the lab and gallery hours, or call 617-489-0035

Tom Ashe from The School of Visual Arts and color management

For the past six years in the Fall and Spring semesters I have been teaching a course I created in Digital Printmaking and Color Management as part of the BFA Photography program at the School of Visual Arts in New York City. The aim of the course is to help the students to be knowledgeable about different printmaking technologies and how to produce the best quality digital prints possible. One of the biggest challenges for my students is creating good quality digital black-and-white prints. That’s why an important part of the Black-and-White Digital Printing Assignment is to have the students make a true silver gelatin digital print. Although, most students come to the class not knowing that this is even an output option, they are even more surprised to find out they can get digital output on the same fiber based silver gelatin photographic materials they have loved in the traditional darkroom. Digital Silver Imaging is one of the few service bureaus in the country and the world that produce fiber based silver gelatin digital prints.  Luckily for us, Eric Luden and his staff have been kind enough to help our students to experience their digital black-and-white images on these silver gelatin materials with their unique aesthetic and technical qualities.  

Tom Ashe is the associate chair of MPS Digital Photography Department, School of Visual Arts in New York.  He is also an excellent photographer & consultant to the photographic industry. Visit his website for more information.


One of Tom's students, Azhar Chougle, had this to say about working with us:


"It has been an absolute pleasure to be able to work with Eric on producing digital silver gelatin prints. Working with labs is always a twisted and convoluted ballet, but in this case the process was surprisingly simple and straightforward. Given Eric's vast experience in the field, he demonstrates a firm understanding of his process and requirements. At the same time, he is incredibly personal and accommodating.  The most important factor is of course the prompt delivery and the print itself. The images produced take on a refreshingly analog quality, a welcome deviance from the manufactured predictability of the inkjet process. The papers (especially the fiber) are thick, heavy and feel exquisitely organic, something that would be expected walking out of a darkroom rather than a digital lab. I would say it is impossible to replicate the aura and feel of a silver gelatin print, which makes this avenue of digital output a very worthwhile exploration."

Rachel Mathews on "Food Cycles" at the DSI Gallery

“You never get a second chance to make a first impression.” I’m not absolutely sure that this is true, but I do know that first impressions can count for a lot.

I was lucky this week to visit an outcropping of the Griffin Photography Museum and enjoy an exhibit of photographs titled “Food Cycles”. The photographer, Francine Zaslow, has a fascinating take on food as art. Her images, which are on display at the very intimate gallery at Digital Silver Imaging in Belmont, Massachusetts, are intriguingly delicious.

You must understand that these are my first impressions of her work. I love these silvery visions, so removed from glossy food magazine and cookbook portrayals of perfect doneness. This isn’t food in the “we eat with the eyes” sense exactly, it is food as art, and being a pragmatist (and foodie, I guess) I asked the folks at the gallery if the subjects of the photographs had in fact been eaten after the shoot.

I have to tell you that I don’t understand how they do what they they do at DSI to turn warm food into cool prints. Their site says “Digital Silver Imaging offers a unique printing process that provides beautiful fiber-based and resin-coated black & white silver gelatin prints directly from digital files.” but I think its some sort of magic. In any event, I loved the exhibit. Her “Belt Fish l” makes me wish I was a Pisces, and her “Silkie Chickens” could be dragon embryos.

Please read Rachel Mathews complete review by visiting her blog.

You can visit the DSI Gallery Mon - Fri from 9 - 5:30, or click on our Facebook on-line gallery if you're far away.

Interesting feedback on Nik HDR software

A few lucky photographers have had their hands on the beta version of the new Nik HDR Efex Pro software that will start shipping this week.  Like us, we're anticipating another great product from the folks at Nik.  They have demonstrated great products and some of the best web tutorials and support.  We believe that when utilized properly, this will be another enhancement to our true black and white silver gelatin printing process.

Here is what one photographer had to say about his experience:

"I have been playing with CS5 HDR becuase I've been very disappointed with my current HDR software. But still I had not been able to get any HDR images that I like better than a straight shot with some localized adjustments using Nik Viveza.  Maybe all user error.  But I could not get good HDR images like they show in the HDR books with Photoshop or Photomatix.  Lots of other people have fantastic results with these I know.  I've failed.

Last week I tried the demo version of the NIK HDR program (I am on their email lists, since I already have some of their products). Wow!  With only watching the 3 minute Nik video, I was making HDR photos that were so much better than the junk I had before."

We are excited to be one of Nik's top resellers in the country.  We work very closely with them and have provided B&W silver gelatin prints for their trade shows. DSI is offering a workshop on HDR on November 3rd from 6-8PM at the Griffin Museum of Photography in Winchester, MA.  Join Victor Ha of Nik Software as he reveals the technology and creative possibilities behind Nik Software’s latest creation, HDR Efex Pro! Victor will explain the techniques of how to properly shoot HDR for the best results, demonstrate the uses of HDR Efex Pro’s revolutionary features, and show how it integrates into Nik Software’s complete workflow solution of photographic products. Registration is required, so please visit the DSI registration page for complete details and information.

Digital Silver Imaging creates true black and white silver gelatin prints directly from digital files.

Check our special software pricing for great deals on Nik Software!