The
AIPAD show was like a walk through
Dylan’s Candy Shop, filled to the brim with fantastical, historical, sometimes absurd and mostly wonderful treats. Picture strolling through
Beaumont Newhall’s History of Photography. Galleries and collectors exhibited vintage gems from Margaret Cameron, Bernice Abbott and Man Ray, next to electrifying examples of contemporary work by
Pierre Cordier, Jim Campbell and Julie Blackmon.
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© Julie Blackmon |
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© Pierre Cordier |
Look beyond some repetition, occasional mediocrity and feast your eyes on sweet treasures. We were pleased to be introduced to artists new to us and here we share our favorites:
Verve Gallery of Santa Fe represents veteran lensman Misha Gordon. His stunning dramatic work of staged series uses pattern and light to reflect a moving serenity and intelligent wit. The filmmaking duo, Charbonneau/French, create elaborate and fantastical sets that utilize daylight and shadow, props and people in real time.
L. Parker Stephenson Photographs, located a block away from the Armory, showcased Raphael Dallaporta’s huge color images detailing the grand church organs of Paris. Also available were his beautifully printed and haunting series of life-sized land mines, now a book, Antipersonnel.
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© Raphael Dellaporta |
The NYT article reviewing the show highlighted several Asian artists and we noted one donating proceeds to victims in Japan.
Hyperion Press Limited introduced us to the elegant and painterly images of Qin Wen. His subdued use of color illustrates allegory in layers using traditional ritual and current culture.
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© Qin Wen |
Gallery 339 of Philadephia showed work from Ephemeral Existence by Tetsugo Hyakutake, featuring his ephemeral large scale industrial landscapes of Japan.
The
Peter Fetterman Gallery in Santa Monica CA carries noted social documentary photographer
Sebastiao Salgado. His exquisite images offer rarely seen remote areas of undeveloped countries.
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© Sebastiao Salgado |
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Lastly, more than one dealer featured the work of
Beth Moon. Using traditional film and a medium format camera she shoots moody portraits in lush natural settings. Her images are hand coated in platinum and palladium metals on heavy French watercolor paper.
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© Beth Moon |
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